Pridružio: 05 Apr 2007 Poruke: 1591 Gde živiš: St.Pazova
Poslao: 16 Nov 2008 16:32 Naslov:
Kod:
LENNY & THE PISS POOR BOYS
Kod:
How can one describe greatness? I can compare them to other bands (the Ramones meets the Pogues with a country twist) but that would only confuse everything. From the first song to the last, this album is complete. It is refreshing and brilliantly written. The honesty of the lyrics and the ease with which the front man relates the songs (more like stories) comes almost too easy, much easier than doing a shot of whiskey. Murder, lost love, good friends, hard times - yes all typical country song themes, but delivered in an edgy, dark manner that will have you singing along and humming to the slide guitar. Its not your Grandfather's country music.
Tja ..cuda se povremeno jos desavaju Iz gomile muzike koju skidam,manji deo ostaje na hardu,a jos manji deo zaista dobije paznju da bude slusan.Coveka ciji album cu vam predstaviti,sam skinuo samo zato jer je bio na respektabilom blogu i to istaknut kao nesto vredno paznje.Njegovo ime vam nista ne znaci kao ni meni ali...
Ako vam se dopao proslogodisnji prvenac Elvisa Perkinsa,koji je ovde takodje predstavljen(cujem da neki od vas muvaju devojcice uz album E.P. ) onda ce vam se zasigurno svideti i ovaj album,takodje prvenac.
Covek se zove Ali Eskandarian,sto bas nije tipicno americko ime ali je zato objavio jedan od najboljih albuma americane ove godine(moj skromni sud).Alijeva zivotna prica je vise nego filmicna i netipicna za jednog singera/songwritera.Rodjen je u Americi,gde mu je otac(inace Iranac)bio na obuci za vojnog pilota.Po povratku u Iran doslo je do homeinijeve revolucije i sve se promenilo-za Alija je to bilo previse i prvo emigrira u Nemacku kao politicki emigrant,a potom ponovo odlazi u SAD,gde pocinje da se bavi muzikom.I to kako!Proverite sami..Neizostavni uticaj Dilana i cudna utemeljenost u korene americke muzike daju fascinantan ,rekao bih ni od kog neocekivan rezultat u obliku albuma prvenca.....
Kod:
ALI ESKANDARIAN - NOTHING TO SAY
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New Bob Dylan? Not quite, but there's more on offer.
Ali Eskandarian likes to do things nice and laidback, with some style it has to be said.
Oh no, I hear you thinking, not another singer - songwriter. Well they've been around longer than you'd imagine - I won't go into a history lesson right now. New on the scene is a 30 year old American born alt-folk-blues troubadour who's got something really special to offer. Setting him apart is his part American-Iranian upbringing that's fuelled a massive burst of writing. The two key elements of this wonderful album are: accessibility and cutting edge fusions about love, loneliness, travels, and the touchy subject of politics. Comparisons are already being made with early Bob Dylan and Nick Drake, which are pretty darned accurate. The bilateral mix brings thoroughly fascinating results, as he smoothly swings from West to East. Due to his father's political asylum relocation via Germany to Dallas after the Ayatollah Khomeini's death, young Ali absorbed an adolescence of the arts, he moved to New York to pursue his dream in 2003,and on the evidence of this, it's well on it's way to being realised. Along with Grammy-winning producer Rob Freidman (which was a coup) they've meticulously packaged Ali's thoughtful and considered writing/ performance skills.
It's good ol' Americana all the way on Dylan-esque styled opener Waking Up Is Hard To Do, with Bob's subliminal harmonica adding a real rootsy feel while a distant banjo happily sparkles in the shadows, and on Memphis (where he sounds remarkably like Bert Jansch) he becomes even more loved-up to the indigenous country sound. All We Do (Roy Orbison would love this one) is a breathtaking break-up ballad done in a stripped back delivery with cute twanging guitar, and rolling Hammond organ. Skip one, and we get to his low-fi bluesy side - Dangerous Road, which starts with simple acoustic strums, given extra colours by some sublime steel guitar picks by multi-instrumentalist / tweeker Rob Friedman. Eastern flavours merge with folk on the extraordinary Nobody, making it a haunting piece, as he goes for some typical 'wailing' for added effect. Johnny Goes To War is a direct political blasting on American soldiers, in this case 19 year old Johnny from Ohio, who's sure to get killed, or to kill the enemy with a body count of 23 referred to as, '23 Kills'.
And finally, Eastern Fancy. Here he goes for ambience and eastern soundscapes, singing beautifully in his father's mother tongue Farsi - simply stunning.
If you haven't heard Holly Golightly before then this compilation of hits would be a good introduction. She is quite unique in her genre of music. Very few Women have been successful when it comes to writing and recording hard electric blues. But Holly's light gravely voice suits the style wonderfully. The tracks here show how her sound has evolved, from bluesy garage rock through to alt-country blues, with the odd folk song in between. They run together on this disc beautifully and before long you will be singing along. This is great as an introduction, but I would recommend buying one of her studio albums.
Totally amazing first album. From the hate filled first two minutes of it and right through the next 28 minutes of sad doomy bedroom folk, cold drones, and beautiful weird pop. All killer no filler. First 100 covers are black. all covers are silkscreened.
1. Yussuf Jerusalem - [A Heart Full of Sorrow #01] Gilles de Rais
2. Yussuf Jerusalem - [A Heart Full of Sorrow #02] A Heart Full of Sorrow
3. Yussuf Jerusalem - [A Heart Full of Sorrow #03] Greetings from Novi Sad
4. Yussuf Jerusalem - [A Heart Full of Sorrow #04] With You in Mind
5. Yussuf Jerusalem - [A Heart Full of Sorrow #05] Jihad
6. Yussuf Jerusalem - [A Heart Full of Sorrow #06] We Ain't Coming Back
7. Yussuf Jerusalem - [A Heart Full of Sorrow #07] Multicolor
8. Yussuf Jerusalem - [A Heart Full of Sorrow #08] The End of Tomorrow
9. Yussuf Jerusalem - [A Heart Full of Sorrow #09] The One You Really Want
Phosphorescent seems to hate structure, his songs blow around like a flag in the wind, moving from one song to the next while backup singers sing notes that waver back and forth from each other, and it works quite well. He's had this comparison over his head to early Will Oldham and it's hard to dismiss, especially when his voice cracks early on in this record, but if his most recent record is Palace Records equivalent to Days In The Wake , then this is a real Palace Records record equivalent, meaning not just Oldham and a guitar, like There Is No-One What Will Take Care Of You or Viva Last Blues. This one has a strong country feel that he did away with for the most part on Pride, which worked just fine, but it's also nice here, and works well with lyrics like: "it never gets cold way down here/I can live off of watermelons and beer/and i'll never go hungry; i will never go home/never call to my lover, 'lover, leave me alone.'" (from South (of America)). When the records all over, or by the time you get to the last 18 minute field sound song, you feel like you just had a picnic with a group of new friends and now you must go.
Favorite tracks: "Joe Tex, These Taming Blues", "South (of America)", and "Lost Names"
Pridružio: 05 Apr 2007 Poruke: 1591 Gde živiš: St.Pazova
Poslao: 15 Dec 2008 19:45 Naslov:
Let 3 vec standardno poznat po skandalima,uspeli su da miniraju jednu od najgledanijih emisjia na HRT-u
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Kontraverzni hrvatski rock bend Let 3 ponovo je šokirao javnost nakon što su nedoličnim ponašanjem natjerali voditelja emisije Nedjeljom u 2 da prekine emitiranje.
Zbog psovanja, pucanja čepova iz stražnjice, kao i neposlušnosti Damira Martinovića Mrleta i Zorana Prodanovića Prlje Aleksandar Stanković morao je prekinuti zadnjih 10 minuta emitiranja emisije.
Mrle i Prlja ispucali su čepove iz stražnjice, šokiravši tako Aleksandra Stankovića, koji je njihove "čmarove" morao prekriti vlastitim sakoom. Kad je nakon toga izgovorena sintagma "riječka pichka", Aco više nije izdržao i prekinuo je emisiju.
Prije ispucavanja čepova Mrle i Prlja rekli su kako Let 3 još uvijek vježba izbacivanje čepa iz stražnjice, uz liječnički nadzor. Čep im, kažu, služi da im zadrži energiju.
"Čep se u određenom trenutku može izvaditi, staviti u čaj i popiti", rekao je Mrle, "a to su radili i stari samuraji". Kaznu od 300 kuna koju su dobili zbog nedoličnog ponašanja na koncertu u Varaždinu, upravo zbog čepova i analnog otvora Letovci neće platiti, u krajnjem slučaju će otići u zatvor i dati te pare u dobrotvorne svrhe.
Pridružio: 05 Apr 2007 Poruke: 1591 Gde živiš: St.Pazova
Poslao: 20 Dec 2008 11:00 Naslov:
Alcest ::
Citat:
Phosphorescent - Aw Come Aw Wry (2005)
Odlican je i Pride iz 2007 pa ako treba......
Phosphorescent spremaju nezvanicno novi album,a dotle cu slusati cover album koji tek treba da izadje u februaru,a posvecen je u potpunosti Willie Nelsonu...
Kod:
Phosphorescent - To Willie
Kod:
They say imitation is the sincerest form of flattery, but I say covers records are just a wee bit overdone. An album of Willie Nelson covers as interpreted by Phosphorescent, however? Uh, where do I sign up?
To Willie, Matthew Houck’s full-length follow-up of sorts to 2007’s lovely Pride, finds the songwriter putting his distinct stamp on 11 Nelson originals– and not the obvious ones. Houck reportedly probed deep to come up with his source material and emerged with what the liner notes call “an unabashed musical love letter” and what the press release calls “a glorious hangover of an album.” Shucks, you people should do music crit.
novi link
Kod:
http://rapidshare.com/files/175214367/P_W.rar
Izmenio Howe dana 22 Dec 2008 18:04, izmenjeno ukupno 1 puta
Phosphorescent spremaju nezvanicno novi album,a dotle cu slusati cover album koji tek treba da izadje u februaru,a posvecen je u potpunosti Willie Nelsonu...
Imam danas posla ceo dan i sa zadovoljstvom cu to da slusam.
Brian Eno - 77 Million Paintings
Ambient Music | Visual Art | Windows Setup | 639 MB (1,05 GB installed)
Software creates a constantly evolving, slowly changing "light painting" on the screen of your computer with a virtually infinite number of variations accompanied by the music of Brian Eno.
He's the avatar of ambient and one of the original glitterati of glam, but Brian Eno started as a visual artist before he became captivated by sound and synthesis. Nearly 30 years ago, he began a return to the visual arts, and has synthesized a career that now runs in intersecting parallels with his music. From his first video, Mistaken Memories of Mediaeval Manhattan, Eno's work has evolved into light sculptures that reflect his music, slowly morphing illuminated shapes shifting in seemingly infinite patterns. On 77 Million Paintings, Eno adapts his concepts to a computer program that constantly shifts his patterns in layers. Some of them are abstract, some luminescent. There are almost Keith Haring-like patterns countered by a Jackson Pollock splatter-and-drip approach, but all are constantly mutating and combining.
Like painting in motion, every subtle move and overlay creates a new picture - hence the title. In fact, every time the program is launched, the images are different, and if you run it forever, it will effectively never repeat. Eno has married his images to an equally morphing soundscape, a nonlinear, constantly shifting sound field of gong and vibe-like tones, drone pads, and odd, whooshing sounds and ambiences. Like his ambient music, it's meant to work in the background, but can also draw you into to its glacially evolving world. Eno has often followed the Satie idea of furniture music--now he extends that concept to your TV and computer. John Diliberto
Pridružio: 05 Apr 2007 Poruke: 1591 Gde živiš: St.Pazova
Poslao: 22 Feb 2009 16:57 Naslov:
Divna ploca..
Kod:
Flood
Avishai Cohen
Citat:
In a suite of original compositions subtitled "Part Two of the Big Rain Trilogy," trumpeter Avishai Cohen's pure, sweet trumpet tone and bent notes allow him to create sound pictures that depict gentle raindrops, a giant deluge, the eventual overflow and final sunshine to complete the cycle. Since his songscape relies on personal expression, the instrumentation is limited to pianist Yonatan Avishai (a minimalist) and percussionist Daniel Freedman (a small instrument specialist). Hand drums, wood block and soft mallet drumming allow the trumpeter to place his ethereal trumpet voice out in front, while odd meters fix the trio on an adventurous tour. This suite represents a flood someplace in the world where mankind has adapted to its course with no harm done.
Originally from Tel Aviv, Israel, Cohen won a full scholarship to the Berklee College of Music and placed third in the 1997 Thelonious Monk International Jazz Trumpet Competition. He has concentrated on composition as well as his clarion trumpet voice to feature projects that depict the classical music foundation of Bela Bartok and Erik Satie as well as folk themes from his homeland. His respect for pure trumpet tone recalls Miles Davis in the way that he gets the music's emotional emphasis to rise and fall without ever raising its volume; Cohen knows how to make an impression without being obvious. His closing "Cycles" remains closely attached to the everyday pattern that rainfall brings. Cohen's jazz depiction of Flood avoids the calamitous reputation that Nature sometimes brings; instead, he employs the open beauty of his horn to relate the essential need that Earth has for water as a nourishing source of life.
Elvis Perkins in Dearland’s new eponymous album feels very much like the second line to his exquisitely melancholic and much-hailed solo debut Ash Wednesday. Ash Wednesday gained Elvis a dedicated and reverent following for its nuanced meditations on death and grief—many moments on that first record felt as if the listener had tip-toed into the intimate confines of a private elegy, enveloped in that wondrous, old-soul quality of Elvis’s voice.
There are still plenty of private moments on Elvis Perkins in Dearland, but Elvis is now joined by a talented trio of friends that toured with him in support of Ash Wednesday. Along with Elvis on guitar and lead vocals, Elvis Perkins in Dearland is Brigham Brough (upright bass, saxophone, vocals), Wyndham Boylan-Garnett (pump organ, guitar, harmonium, trombone, vocals), and Nick Kinsey (drums, percussion, banjo, clarinet, vocals). Many of the new songs on Elvis Perkins in Dearland were honed on the road by the four bandmates, whose natural ease with one another allowed them to constantly experiment with arrangements on the fly.
Produced by Grammy Award-winning producer Chris Shaw (Public Enemy, Bob Dylan, Ween) and Elvis Perkins In Dearland, the album was recorded in Upstate New York in the latter part of 2008. Shaw recorded and mixed the album as well.
“On this new record we wanted to capture the spirit of our performances,” drummer Nick Kinsey said. “The challenge was to get down that spontaneity.” Perkins says, “This album is faster and younger than Ash Wednesday. Being in a studio with three other creatives instead of just one was a new thing for me. It takes four times as long to decide everything… but in the end, this kind of interplay made for much good.”
Before the breakup [of Green On Red], Prophet laid the foundation for a solo career, recording his 1990 debut album Brother Aldo on a whim for around $800. "I think that's what it cost, or maybe I read that somewhere," recalled Prophet. "Green On Red was in escrow of sorts. I'd been kicking those songs around on stage with Stephanie Finch in the growing underground scene (or ghetto) here in town that included American Music Club, Penelope Houston, Steve Yerkey, Bone Cootes and others. We hijacked the back room of our favorite watering hole for some acoustic gigs and after a while, I just wanted to get those songs out of my head...." Afterwards, Prophet's tape fell into the hands of Fire Records, which, upon hearing the session, wanted to release the album "as is."
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Iz gomile muzike koju skidam,manji deo ostaje na hardu,a jos manji deo zaista dobije paznju da bude slusan.Coveka ciji album cu vam predstaviti,sam skinuo samo zato jer je bio na respektabilom blogu i to istaknut kao nesto vredno paznje.Njegovo ime vam nista ne znaci kao ni meni 
) onda ce vam se zasigurno svideti i ovaj album,takodje prvenac.
aj jos darkwoode i jupiiiiiiiiiiiiiiiiiiiiiiii du jupi du jupi duuuu
hvala drugari 
